10. Project Eden: Vol. 1, directed by Ashlee Jensen & Terrance M. Young

Heart Pumping Action In New Aussie Film

Project Eden: Vol. 1

 

This is an Australian-made film that is practically bursting at the seams with cinematic force. It is designed with the very purpose of being watched at the movie theatre: drenched in sound, surrounded by tense bodies hidden in the darkness, gasping together as one. It is the sheer scale of this feature, packed with action, intrigue and incredible sound, that makes it a real cinematic experience.

Of course, it all begins with the children. Protagonist Evelyn Green (Emily Fradenburgh) is dealing with the mysterious affliction that has caused her son to become catatonic. An enigmatic Ethan (Peter Christian Hansen) soon comes to her door, claiming that her son may not be an isolated case… Could this be one huge government conspiracy? What follows is a double-sided pursuit as Evelyn and Ethan hunt for the truth while running from the ruthless ‘FBI’ agents – seekers of the truth-seekers.

Filled with mystery, conspiracy and action, Part 1 delivers more questions than answers. This is done purposefully, as a stepping-stone to the next volume in an intended trilogy. The secrecy and intricacy of the plot means that even the actors are kept partially in the dark. As Jensen explained, even the core actors remain on a strictly “need to know” basis in order to preserve the secrets that will only be revealed in due course.

For a micro-budget film, it contains great production value. Standout shots include bird’s-eye views of the lined cornfields and the car-filled, curved roads of America. Yes, the film takes place in America, complete with US accents. Thus, it takes on an international, grander feel and speaks to global issues.

Science fiction is known for translating modern issues into a fictitious setting, as an entertaining way to challenge our preconceived realities. Project Eden, Vol. 1 slips into this mould, with themes designed to make us consider the notion of collective thought. The suggested civilisation, built on unseen corruption and subterfuge, is very much grounded in reality, which becomes a more powerful warning to our current reliance on popular thought. Overall, the film read to me more as a thriller, although I’m sure the sci-fi undertones will no doubt come to the fore in parts 2 and 3.