Jennifer Peedom
28. Mountain, directed by
Jennifer Peedom
Testing the Human Limits on the Sublime
Every six to twelve months, we begin looking at a new series of films chosen by age, genre, directors or what have you.
Testing the Human Limits on the Sublime
Why Blackmail is Always a Good Idea
A Late Era Silent Film Devours its Intricate Plot While Pulling a Few Emotional Shortcuts
A French Psychological Thriller That Dabbles with Film Noir Still Has Some Tricks Up Its Sleeve
One of Cinema’s Most Endearing Short Films Maintains Its Sense of Wonder
One of the Most Revered Films of the Silent Era Remains Impressive in its Minimalist Storytelling
A Once Controversial Look at American Politics Now Scans As Idealistic, But Still Charmingly So
When A Picture Can’t Be A Thousand Words In Proof Admittedly coming from a biased viewpoint, it seems to me that Australian films are often distinctly risk-taking. They encourage full viewer participation, by leaving a few dots for us to connect ourselves. Put plainly, they serve a meal without chewing it for us. Moorhouse’s …